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Lido di Spina
Lido di Spina is in Emilia Romagna, in the municipality of Comacchio, province of Ferrara.
The resort is the Queen of the Emilia Romagna Riviera for the quality of its environment and good life style.
It marks the border between the 27 kilometre-long beach of the seven coastal resorts on the delta and the province of Ravenna.
Lido di Spina is one of the seven Lidi di Comacchio which are:
• Lido di Volano
• Lido delle Nazioni
• Lido di Pomposa
• Lido degli Scacchi
• Porto Garibaldi
• Lido degli Estensi
• Lido di Spina
The presence of vast areas of great naturalistic interest, the availability of sandy beaches not found elsewhere, the proximity of art towns such as: Ferrara, Bologna, Ravenna, Venice, make Lido di Spina the ideal destination for anyone who wants to spend holidays and periods of relaxation surrounded by beaches, nature, art, culture and entertainment.
The unique environment, far from large towns, makes Lido di Spina an ideal resort for families, young people and the elderly.
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Comacchiois
a suggestive lagoon town that dates back to Late
Roman times built on 13 islands in the middle of an
extensive wetlands. The present-day urban center is
rich in testimony from the past: handsome churches and
monuments suspended between bridges over the canals,
the most impressive of which is the 17th Century
Trepponti, the ancient main entrance to the city.
Another sight that simply must not be missed is the
Museo del Carico della Nave Romana (Roman Galley Cargo
Museum) that holds the relics found aboard a merchant
ship that sailed these waters in the 1st century BC.
"Trepponti" is the city monumental
bridge and gateway constructed at the order of Cardinal
Pallotta in the first half of the 17th Century and designed
by Architect Luca Danese.
Trepponti bridge is composed of five-arched staircases
that descend from a central staircase that leads into
the square where the fish market is held every morning
inside the picturesque building also built in the 1600s.
Typical lagoon boats known as "batane"
that take on passengers for even more suggestive
views of the city are moored along the canals.
A few kilometers away from the city stands the Valli
di Comacchio, 11,000 ha of salt marshland brinked
by raised embankments that provide home to the lagoon
characteristic fauna and flora. Two particularly suggestive
points are the peninsula of Boscoforte and the le
Saline salt-flats where a healthy population of
flamingos can be admired in the right season.
The Po Delta Regional Park
is the district largest regional park and occupies a
considerable part of the Emilia Romagna territory. The
Park is divided into six different zones, each with
its own attractions of wildlife, landscape, history
and culture.
Visitors can explore the Park extraordinary beauty along
various itineraries laid out for automobile, bicycle,
and foot.
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Ferrara
This ancient alleys and sumptuous palazzi of this magic
city are steeped in the history and splendour of the
Nobles Estensi and the Renaissance. Ferrara has been
declared World Heritage by UNESCO for the protection
of its unique monuments and architecture.
Ferrara began its municipal and cultural development
towards the end of the 14th Century, when it was further
graced by the addition of today Duomo (the Cathedral),
constructed in Romanic-Gothic style between the 12th
and 14th Centuries holding numerous frescoes, paintings
and sculpture by Garofano, Guercino, and Bastianino
(16th Century) together with numerous other monastic
centers.
Ferrara can be neatly divided into two distinct architectural
styles: the Medieval area that runs from the Castle
along Via della Giovecca, Via delle Volte and Porta
d’Amore, and the Renaissance area that includes
Street Ercole I d’Este (know as "degli Angeli"
long ago) that leads to the ring that closed the daunting,
splendid walls in ancient times.
The city symbols are the Castello Estense
(Este Castle), begun in 1385 as a fort and completed
in the 16th Century astride the two areas above, an
architectural treasure with its Medieval Tower of Lions,
subterranean dungeons, gothic chambers on the ground
floor, and spacious halls with frescoes by Bastianino,
Girolamo da Carpi and the Filippi father and sons (16th
Cent. Game Room); Palazzo dei Diamanti presents
an interrupted geometric facade of stone worked to diamond
shape.
Ferrara can be explored by simply strolling
through its streets, the actual annals of Renaissance
time and culture, that amply suggest the city glorious
past even today.
History stands on every corner, in its sumptuous palaces
and winding Medieval alleys, and comes alive
once again in the colours and music of the annual pageant
of Palio di San Giorgio.
A truly special atmosphere reigns in the city center,
where the rhythm of life is cadenced by the passing
of hundreds of bicycles amidst the shores and coffee
shops.
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Pomposa
Abbey
The Abbey of Pomposa is a complex of buildings
that forms one of the most illustrious Benedictine
Monasteries of the Middle Ages: the Basilica, the Refectory,
the Chapter Room and the Court form the Abbey heart.
The majestic Bell-tower was added in later epoch.
The Benedictine friars founded the
Abbey in the 7th Century a.C, and by the Year 1000,
the Abbey enjoyed wide prestige in the region and the
Abbot was held in great consideration. The Benedictine
monks remained until the start of the 16th Century,
when the entire monastic family moved to Ferrara. The
Abbey passed into private hands and was dedicated to
agriculture before being declared a National Monument
in the previous century.
The Abbey has hosted many numerous guests over the
centuries, from Barbarossa to Dante Alighieri. Constructed
over the years in a mixture of Romanic and Byzantine
styles, its treasures include masterpieces of both the
Ferrarese and Bologna Schools of art.
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Mesola
The Castello Estense della Mesola
(Mesola Este Castle) was built in the latter half
of the 16th Century at the behest of Last Duke of Ferrara,
Alfonso II, in honour of his third wife, Margherita
Gonzaga. Final residential "pearl" occupied
by the Nobles Estensi, the Castle is distinguished by
an austere elegance. Located at the center of an immense
royal game reserve, the Castle was once protected by
a 12-kilometer ring of walls, not a stone of which remains
today. Its annex structures set in semi-circle around
the Castle have survived, and now serve as characteristic
shops and restaurants today.
The Castle houses the Environmental Education Center
and the Library, and often provides the setting for
special exhibitions around the year.
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Ravenna
Thanks to strategic location, Ravenna, a small city
with a naval base on the Adriatic coast defended against
attack from land by its lagoon, became the capital
of the Western Roman Empire and for this reason
lived a period of extraordinary artistic flourishing
together with the birth of Christian iconography in
the 5th Century and its courtly art made it direct descendent
of Rome. Its artistic splendour attracted many nobles,
and above all, many different cultures that made her
a monumental city of international fame now protected
as a World Heritage.
Many religious buildings hold excellent works of Oriental
beauty and mystique (exquisite mosaic work in golf leaf
and lapislazuli …), the most famous being the
Basilica Ursiana with its five naves erected beneath
the Vescovo Orso Bishopric, the Basilica of St. John
the Evangelist (425), the Church of Santa Croce and
the Mausoleum of Galla Placida.
One of the most striking expressions of renewed Imperial
Byzantine grace and grandeur is the Basilica di S.
Vitale, with its precious marbles, mosaic-work depicting
the Emperor Justinian and Empress Theodora, classically
elegant capitals etc. Ravenna reached her maximum splendour
in the period following the re-conquest of Italy by
Justinian, Emperor of the East.
S. Apollinare in Classe, consecrated in 549,
offers the fortunate visitor a glittering, gem-studded
cross set above in the starry sky of the apse, and the
brilliant mosaic-work composing the Transfiguration
of Christ on Monte Tabor that gives the astonishing
effect of embroidered fabric and carpet.
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